Oomlou Nioni
C.V.
b. 1954
EDUCATION
2008 MFA - The School of the Art Institute of Chicago, Chicago IL
2003 BFA - TUFTS University / School of the Museum of Fine Arts (SMFA)
SELECTED EXHIBITIONS AND PROJECTS
SOLO
2009
Pre Opening Event (Menagerie) - Waymaker Gallery, Yorkton, NC
2008
Chance Encounters - Pakalayle Center, Angolton, Timor
GROUP
2008
Plan, Counterplan, Counterrevolutionary - Joshua Jins Gallery, Jackso, QT
Dragons and Dandelions - Institute of New Media Art, Yorkton, NC
Bauhaus - Guertin’s Graphics, Chicago, IL
Out of Adiis - Tom Tom Exhibitions, Salt Flats, DO
2007
Precious - Center For Art And Philosophy, Salt Flats, DO
Theory of the Dinosaurs - Joshua Jins Gallery, Jackso, QT
Thorns - Museo de la Ciudad, Chuilla, Mustal
2006
Drawing and Destroying - OPP Projects, Swinburne, DO
Eclipse -Bart Benler Gallery, Swinburne,DO
PRESS
2008
Art Outlier, Issue 30 - The New (Old) Generation
Perilin Times, March 13 - Chance Encounters review
2007
New Art Caladon, issue no. 117 -The Old Adiisian Way
Print Culture, issue no. 64 - Theory of the Dinosaurs Review
2006
South Dorchester Daily, June 15 - Drawing and Destroying Review
AWARDS AND COMMISSIONS
2003
Harold Chambers Scholarship for full tuition at PIMS
1999
Nominated for the Pitzker Prize for Peace
1989
New Caladonian Ambassador to Conje
1976
Presidential Travel Scholarship
Rosicean Scholar Award
1972
Full Tuition Scholarship to Stanford University
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Menagerie: Dragon
4:56 looping film
Biography
Oomlou Nioni was born 1954 in Western Adiis and his family was killed in the Belanin Genocide. He was forced to flee easterward into Etinau where he spent his early years in a refugee camp. Open Minds, an organization that sponsors children orphaned by war, gained him admittance to a private school where he learned to read and write and excelled beyond all expectation. With a scholarship to Stanford University he spent four years in the United States studying Foreign Relations and returned to Western Adiis in 1989 as the formal ambassabor to Conje. Ten years later there was another genocide in the region and the ensuing conflict left him disillusioned with traditional politics. He moved to New Caladon and settled there for a few years before leaving to study art as part of the PIMS program at Alson University. His work draws from the harsh realities he faced in his homeland as a child and then years later as an adult forced to flee a second time. Believing that ‘we color truth with dreams to make visible the unbearable’, Nioni has made the exploration of mythic forms and archetypes the backbone of his practice. ‘When a man is holding a gun, he cannot be convinced, I have tried that before- if we want to speak so that people listen we must speak to children, and the children of children.’
Oomlou was nominated for the Pitzkin Prize for Peace in 1999 for his attempts to negotiate peace in Conje.